For a 50th post, I wondered what band, what album, I should write about. I was surprised when I realized I had not reviewed Kamelot‘s dark masterpiece, The Black Halo, and planned on choosing that record.
Enter Miss Tiff (mischief), LadyLoveExtraodinaire to yours truly, and a complete Kamelot fanatic, who said, “Do Avantasia, The Scarecrow. You’re always listening to it.”
Indeed I do listen to The Scarecrow, quite a lot, really. I love the album and how well rounded the listening experience is. Mr. Sammat wrote, what I think, is the best mix of music and songs within his entire musical career.
For fans of Avantasia‘s first two releases; The Metal Opera Part 1 and The Metal Opera Part 2, The Scarecrow, upon first listen, could be a shock. While some songs retained PowerMetal elements, most did not. In fact, I think the album has more of an American Metal vibe to it without being downright pretentious and patsying for an American audience.
That Tobias was prompted to make another Avantasia album by friend and drummer for KISS, Eric Singer, who plays throughout the entire album, may be the reason for the style change, but don’t take me wrong, Singer can deliver PowerMetal double bass drum kicks as fast as anyone, it is just that he chooses not to do it all the time. Sometimes it really is only Rock”N’Roll.
Maybe Producer and Guitarist Sascha Paeth twisted the knobs and raised the levels while lowering others and tweeked the sound in final mixing to achieve a less polished, more chunky and gritty sound.
Whatever the reason for the style change, by the end of first listen, you will know that it works and the music fits well with Tobias‘s retelling of Goethe‘s Faust.
As with prior releases, Avantasia has a core band; this time made up of Eric Singer (drums) of KISS, Sascha Paeth (Guitar) of Heaven’s Gate, and Tobias Sammat (Vocals & Bass) of Edguy. Not as many as before but there are more guest musicians stepping in to play lead guitar than before.
Kai Hansen (Helloween, Gamma Ray, Unisonic) plays additional guitar.
Henjo Richter (Gamma Ray, Rampage) plays additional guitars
Rudolph Schenker (Scorpions) palys additional guitars
Michael “Miro” Rodenberg (producer and guest musician of many PowerMetal bands) Keyboard & Orchestration.
While there is less guest vocalists than before.
Bob Catley (Magnum)
Alice Cooper
Oliver Hartmann (At Vance)
Roy Khan (Kamelot)
Michael Kiske (Helloween, Supa Red, Plave Vendome, Revolution Renaissance, Kiske / Somerville, Unisonic)
Jørn Lande (Vagabond, Ark, Beyond Twilight, Masterplan, Allen / Lande)
Amanda Somerville (Kiske / Somerville, Trillium, and many guest vocal spots on many PowerMetal releases)
Although the story of The Scarecrow is nowhere near as epic in material as The Metal Opera releases, it still holds on to the same majesty as its predecessors and much of that has to do with the phenominal prowess of the vocalists and Tobias himself knowing where to place a more PowerMetal sound to the music.
Track Listing for The Scarecrow:
01: Twisted Mind
02: The Scarecrow
03: Shelter From The Rain
04: Carry Me Over
05: What Kind Of Love
06: Another Angel Down
07: The Toy Master
08: Devil In The Belfry
09: Cry Just A Little
10: I Don’t Believe In Your Love
11: Lost In Space
The Scarecrow is the first of three release that make up The Wicked Trilogy. The other two: Angel Of Babylon and The Wicked Symphony are equally as good as The Scarecrow.
There were many critiques about this release. Yes, there were some pop elements thrown in; they were not overdone and lent texture to the song and did not become the song.
Whatever the sound of an Avantasia release is, that it is so completely different than the last story is refreshing and usually occurs in revolving door bands.
Gnosis and life
AVANTASIA!